The International Photography Awards recently announced the recipients of the first-ever Lucie Awards, acknowledging photographers' achievements from around the world in various categories.

Chris Frazer-Smith of the U.K. received honors as IPA's Photographer of the Year, which includes a $10,000 prize. Phil Borges won the Lucie Humanitarian Award and Robert Evans took home the Visionary Award. Henri Cartier-Bresson also was given an award for Lifetime Achievement in Photography.

Other Lucie Award recipients for outstanding achievement in their respective fields include...

Studio: An expansive 12,000-square-foot remodeled lumber mill in an industrial area of San Francisco

Recent subjects: Lexus, Infiity, BMW. "In the technology world, we've done everything from Sony Playstation to Apple to Microsoft."

Best advice to aspiring photographers: "The most difficult thing for a new photographer to do is to find his or her own voice. Imitating other photographers necessarily puts them behind the curve. You need to think and create your own great ideas, and have the technique be the second thing. "When all is said and done and the year's work, or decade's work, is looked back on, the things that rise to the top are the great ideas you had, not the great techniques. That's a very difficult thing for a young photographer to grasp. Most of the time that comes not from a lack of talent, but a fear that their own voice will not be accepted. That's something you have to get over."

Website: rjmuna.com...

Whether you're perusing the 53 dreamlike models and dancers in his latest photo book, The Apparitions, or marveling at the blur of a snarling attack dog in a recent ad he shot for Sony Playstation, there's no denying that R. J. Muna's photos make the pulse quicken. Less clear is how his wispy images gather so much force from such ethereal foundations.

In Muna's latest book, says photographer Owen Edwards, "What Muna wanted to track down wasn't just the spirits that flit through our dreams, both waking and sleeping, but whatever it was that brought them up from the depths."

Throughout his career, says Edwards, "Muna has created photographic versions of these invented glimpses...

As it does once every two years, our editorial focus this issue returns to studio photography. As we researched stories focusing on individuals and the industry, it became clear that these photographers, regardless of their specialty, have one thing in common: They make photos rather than just take them.

The photographers we present in these pages are masters of premeditation with an obsession for detail. From concepts to completion, they use time-tested skills as a foundation for cutting-edge lighting, exposure and post-production techniques. Without exception, they inventively capture their clients' desires on film, and often deliver much, much more.

Our thanks to all the featured photographers (and their staffs) who cheerfully cooperated in presenting their work...